Apr 25th 2021

The Present  

by James J. Zogby

Dr. James J. Zogby is the President of the Arab American Institute

We all owe Farah Nabulsi an enormous debt of gratitude. In a short 24-minute film, The Present, she has exposed the oppressive indecency of the Israeli occupation while telling the deeply moving story of a Palestinian family. What is especially exciting is that after winning awards at a number of international film festivals​, Ms. Nabulsi has been nominated for an Academy Award for this remarkable work of art.      

It’s a simple story about a complex reality: Yusef, a Palestinian man on his day off from work, takes Yasmine, his little daughter, into the city to buy his wife, Noor, an anniversary present. It ought to be simple, but it’s not​, because to get to the shops they must pass through an Israeli-controlled checkpoint. And the ordeal they must endure becomes the crux of the story.  

Ever since I first witnessed the dehumanizing and humiliating treatment meted out to Palestinians at Israeli checkpoints, I’ve tried to explain the situation to American audiences. I don’t have to try any longer. I can just ask them to see The Present.  

After that first experience with the checkpoints, I wrote a piece​, “Anger and Fear.” It was horrifying to witness. Young Israeli boys and girls holding weapons, shouting commands, demeaning the older Palestinians, lined up in what looked like cattle shoots, trying to get to work, go to school, shop for necessities, or visit family. “Don’t look at me.” “Keep your heads down.” “Hold up your ID’s.” The Palestinians, with the heads down obeyed these commands because they had no other choice if they wanted to pass.  

It was the “master/slave dialectic” playing out in front of me. The young Israelis demonstrating anger to assert their control. But without their weapons and their angry commands, they were frightened little people. Meanwhile, the Palestinians were feigning fear. Because they had no control over their lives, they suffered the indignity in silence. But inside they were seething in anger at the humiliation they were forced to endure.  

We’ve seen this play out in other settings. It’s the way occupation armies always behave. It’s also the way police forces behave in America’s inner cities. And the consequences, in all cases, are devastating.    

What’s so remarkable about The Present is how much it accomplishes in such a short time. Palestinians in this film aren’t one-dimensional stick figures. Just five minutes into the story and you’ve fallen in love with Yusef, Noor, and Yasmine. Little gestures and telling glances bring home the obvious affection they feel for one another. Because the portraits of this little Palestinian family are so real, you care about them and want them to find happiness. Aside from the powerful story that unfolds, this is one of the film’s most important contributions.  

Because Palestinians have long been reduced in the West to objects or “a problem to be solved” so that Israeli humanity can live with security and peace, elevating Palestinian humanity becomes a revolutionary act. It upends the equation that Israeli hasbarists have created and reinforced to justify their behaviors.  

As powerful as the story is, it’s dramatic ending is equally rich in meaning and the message it conveys. I won’t ruin it for you because I want you to experience it for yourself. But when you do, just remember a lesson I learned from one of my mentors, Dan Berrigan, the activist Jesuit priest. He told me that in the insanity of our Kafkaesque world, just being able to affirm a simple truth like “Two plus two equals four” becomes a revolutionary act. In The Present, it’s Yasmine who affirms simple truth – the revolutionary act – and leaves the oppressors powerless.  

Farah Nabulsi has truly given us a present. While watching The Present, viewers will experience a gamut of emotions: affection, anger, fear, sadness and then exhilaration. ​Please watch it, and cheer her to victory on April 25th.  Then, on May 5th, please join me for my “Coffee and a Column” at 2:00 pm ET and thank her for this remarkable gift.  

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EXTRACT: ""Tresors en Noir et Blanc" presents 180 prints from the collection of the Musee des Beaux-Arts de la Ville de Paris, also known as the Petit Palais.  The basis of the museum's print collection is 20,000 engravings amassed by a 19th-century collector, Eugene Dutuit, " ----- "This wonderful exhibition, the tip of a great iceberg, serves to emphasize how unfortunate it is that the tens of thousands of prints owned by the Petit Palais are almost never seen by more than a handful of scholars who visit them by appointment.  Nor is the Petit Palais the only offender in this regard,....."
Jan 4th 2024
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Nov 6th 2023
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Oct 26th 2023

 

In 1904, Emile Bernard visited Paul Cezanne in Aix.  He wrote of a conversation at dinner:

Sep 11th 2023
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Aug 30th 2023
EXTRACT: "Eliot remarked that Shakespeare's greatness not only grew as the writer aged, but that his development became more apparent to the reader as he himself aged: 'No reader of Shakespeare... can fail to recognize, increasingly as he himself grows up, the gradual ripening of Shakespeare's mind.' "
Aug 25th 2023
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Aug 20th 2023
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Aug 18th 2023
EXTRACT: "Edmundo Bacci: Energy and Light, curated by Chiara Bertola, and currently on view at the Peggy Guggenheim Collection in Venice, is the first retrospective of the artist in several decades. Bacci was a native of Venice, a city with a long and illustrious history of painting, going back to Giorgione and Titian, Veronese and Tiepolo. As a painter, he was thoroughly immersed in this great past – as an artist he was determined to transform and remake that tradition in the face of modernity and its vicissitudes, what he called “the expressive crisis of our time.” That he has slipped into obscurity affords us, at the very least, an opportunity to see Bacci’s work essentially for the first time, without the burden of over-determined interpretations or categories."
Aug 12th 2023
EXTRACT: "Is Oppenheimer a movie for our time, reminding us of the tensions, dangers and conflicts of the old Cold War while a new one threatens to break out? The film certainly chimes with today’s big power conflicts (the US and China), renewed concern about nuclear weapons (Russia’s threats over Ukraine), and current ideological tensions between democratic and autocratic systems. But the Cold War did not just rest on the threat of the bomb. Behind the scientists and generals were many other players, among them the economists, who clashed just as vigorously in their views about how to run postwar economies."
Aug 5th 2023
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